figurative and abstract painter

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NEW WORK

In this body of work, I am exploring the limits of lost and found.

figure with sunny ocean background — “First Sunny Day” 24×24

woman with hat, yellows — “Summer” 24×24

“Thinking of You” 24×24

“If Not For You” 24×24

“Bold” 24×24

“On a Clear Day” 24×24-SOLD

“Ghost” 24×24-SOLD

“Veranda Afternoon” 36″x36″

“Water’s Embrace” 36″x48″

“Play a Song for Me” 36″x36″

“Outlook” 24″x24″

“Gratitude” 24″x24″

“Undercurrents” 24″x24″

“Stroll” 24″x24″

“Into” 24″x24″

“Edge of the World” 24″x36″

“Intrepid” 30″x40″

“Spring Rider” 18×24

“Coastal Riders” 30″x30″

“When One Door Closes” 30″x40″

“Figure Emerging” 24″x30″

“Figure Emerging 2″ 18″x24”

“Fine Morning” 24×24-SOLD

“Moving Forward” 36×36-SOLD

“All I Had Wished to Say” 24×24-SOLD

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Sandra Speidel begins with an infallible grasp of the complexity and beauty of human anatomy, sometimes evidenced directly with a recognizable figure such as a swimmer, a man traveling through an airport, or a dancer, and other times with the fleeting capture of a poised head, a curved arm or hands in motion. She expands with colors which demand reaction to a mood or mindset, sometimes wondrous light evoking ethereal dreams, other times darker palettes hinting at doubt, somber reflection or simply momentary indecision. Nothing in her work is static nor easily categorized, though she obviously employs the painter’s tools of contrast, balance and form in what can be loosely termed figurative art. She does not simply paint but rather captures the impermanence of life fully lived and constantly evolving.

–Diane Weddington

Diane Weddington has been an art critic for newspapers in the Bay Area for 30 years. She presently writes commentaries for Medium.
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